As a contemporary silversmith I work mostly using silver but also with other materials such as bone, fabric and with paint. My work consists of both small and large scale pieces. A red thread through my work is that I often start with an observation of something small in the Swedish nature or in interactions between humans or humans and objects/surrounding. Through my work I want to invite both wearers and viewers to  reflection, discussion or to inspire a drive to learn more about different subjects. Some of my work is not meant to be easy to wear but instead meant to be felt and affect the wearer through forced posture.

Play and playfulness is a natural part of all my work. Through working with children’s education I saw that play is important for the child’s development, as it contributes to lifelong learning. Children learn social rules, practice communication and develop their imagination and creativity through play. I feel that the older we get, the less we talk about the role of playing as a means of learning. I try to encapsulate current topics that surround me in pieces that invite the wearer and viewer to play, so that heavy subjects can feel a little lighter. A way to do this is through tactility and interactivity.